Waterways Ireland

Redesigning the digital home of Ireland's rivers, canals and lakes

Website screenshot showing Irish waterways map, boats docked, and text inviting to explore rivers, canals, lakes.

role: Lead ui designer

overview

A national body that had outgrown its website

Waterways Ireland manages more than 1,000 kilometres of rivers, canals and lakes across the island of Ireland, a huge range of activities, audiences and responsibilities, from boaters and anglers to walkers, cyclists and local communities. Its website was the front door to all of that, but it had aged badly: an outdated visual identity, a navigation people struggled to use, and a mobile experience that broke under real-world conditions.

Working as the Lead UI Designer, I collaborated alongside UX Designers and UX Researchers throughout discovery, but I personally owned the visual side of the project end to end, synthesising the research into a UI point of view, running the stakeholder workshop that defined the visual language, deriving the colour system, and building the entire design system and page designs that the new site was made from.

the challenge

Users were lost... and leaving

Various buttons with inconsistent styles and colors illustrating lack of visual hierarchy in design.
User interface audit detected multiple broken patterns

The behavioural evidence was blunt. Analytics and Hotjar showed people arriving with intent and failing to find what they came for. The core problems clustered into a few themes:

Findability. Key navigation items such as ‘Things to do’ and ‘Waterways’ saw minimal engagement, and URLs didn’t match their navigation labels, so people couldn’t build a reliable mental model of the site.
Broken journeys. Reaching ‘News’ took two clicks to an actual article, with no filtering, unclear pagination and a URL that never updated. Session recordings showed users desperately opening new tabs to cope.
Mobile fragility. The site didn’t adapt to screen sizes: overlapping content, distorted images, illegible text, and pagination that fell below standard.
Visual incoherence. An outdated, low-contrast palette and inconsistent typography created a disjointed, untrustworthy feel.
Inconsistent components. Buttons, icons, links, tabs, breadcrumbs, galleries and CTAs were each done several different ways, raising cognitive load and hurting accessibility.

Underneath all of it sat a business risk: if people can’t complete tasks, they don’t register, don’t buy permits or smart cards, and don’t engage with public consultations. The redesign had to fix comprehension, consistency and accessibility at the same time.

the process

From evidence to a shared visual language

Turning research into a UI audit

Rather than treat the visuals as taste, I grounded them in evidence. I reviewed the analytics and Hotjar behaviour data with the research team, then produced a structured UI review that mapped every recurring inconsistency on the live site;  inconsistent buttons and iconography, breadcrumbs that didn’t indicate the path, non-contextual repeated links, tab navigation that didn’t load content, unclear external links, insufficient colour contrast in the primary navigation, and form fields missing the guidance users needed to complete them. This audit became the shared problem statement the whole team designed against.

Facilitating the moodboarding workshop

I designed and ran a stakeholder workshop to define what Waterways Ireland should feel like online. It moved deliberately from brand to interface:

Digital personality analysis: participants critiqued reference websites so we could name what did and didn’t fit (too corporate, too cold, too cluttered, too generic).
‘Postcard of the waterways’: group exercises that distilled the brand essence: tranquillity, water as the connecting thread, inclusivity, heritage, recreation and escape: ‘something for everyone’.
A colour-voting exercise: stakeholders stamped and rated the colours they felt represented the organisation, giving the palette a mandate rather than an opinion.
Shared UI principles: together we agreed a working definition of good design for this project: simplicity, hierarchy, consistency, accessibility, visibility, clarity, feedback, flexibility, and error prevention & recovery, plus copy, content and image guidelines.

The value wasn’t just the artefacts, it was alignment. By the end, stakeholders and the design team held the same definition of success, which made every later decision faster to make and easy to defend.

Collage of website screenshots with nature, farming, a kingfisher bird, and a boat on a river.
Stakholders were asked to rate and share opnions about benchmark websites and illustrate their organisation

the colour system

Deriving the colour system

Kingfisher bird with color circles matching palette labeled Eco, Aqua, Dawn, Midnight, and Sunset.
The new colour palette was inspired by the kingfisher

After the workshop with stakeholders, I started working on a UI concept and created a new colour palette for the brand incorporating the concepts that I was told define Waterways Ireland: water, nature, trust, warmth and balance.

The colour palette is anchored on the kingfisher, a bird whose presence signals a healthy waterway, and whose plumage gave the system a natural, credible source. I paired the core hues with lighter, harmonious tints engineered to work as backgrounds and accents while holding the contrast the audit had flagged as missing.

the design system

Danu: a design system, not just a redesign

Named after an Irish Goddess, the design system Danu is the heart of my contribution to Waterways Ireland. Rather than design pages in isolation, I built a governed, multi-library system so that consistency was structural, not policed after the fact. It is organised as four connected libraries:

Foundation: the brand and token layer: colour, typography, custom iconography and spacing that every page is scaffolded from.
Components: the interaction primitives, each with defined states (default, hover, focus, pressed) so the button, tab and link inconsistencies from the audit could never recur.
Modules / Widgets: larger, reusable page sections (navigation, activity rows, stats, news, consultation blocks) assembled from components.
Pages: full responsive page designs composed entirely from the libraries above.

Each item carries an explicit status (ready, in progress, not started) and links between tokens and components, so the system is legible to designers and developers and can grow without drifting. This structure is the mechanism behind the accessibility result: contrast, state, hierarchy and semantics were solved once, at the component level, and inherited everywhere.

Smartphone showing Waterways Ireland Shannon Navigation webpage with river, bridge, and navigation details.
Danu drove design decisions for every page created

the results

Measurable gains across engagement, accessibility and revenue

+49%

user engagement

+68.6%

page views

+500%

increase on form registrations (permits, mooring, vessel registration)

+281%

on shop conversions (smart cards and navigation maps)

On top of the excellent performance post-go-live, Waterways Ireland received a 100% score on accessibility from independent third-party auditors. This accessibility score is the result I’m proudest of, because it’s the clearest proof that the system-first approach worked: a perfect score on standard testing isn’t something you retrofit page by page, it comes from solving contrast, states and hierarchy once, in the foundations. The engagement and conversion lifts show the other half: when people can find things and trust what they see, they stay, read more, register and buy.

Reflection

What I took from it

Laptop screen shows Shannon Navigation boating info with a river photo, map of Ireland, and travel details.
Evidence beats taste. Grounding the UI audit and the colour choices in behavioural data and a stakeholder mandate made the visual decisions easy to defend and quick to approve.
Facilitation is a design skill. The workshop did more than gather inspiration — it created a shared definition of success that kept a cross-functional team aligned for the rest of the project.
Systems are how accessibility scales. Building Danu as a governed multi-library system is what turned ‘accessible’ from a per-page chore into a property the whole site inherited.

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